Saturday 5 November 2011

Current Art Practice

“I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge” Albert Einstein

Last year, I found myself capturing drawings of everyday people that I came into contact with. I was searching my environment for people lost in their own personal here and now, capturing those small intricate moments, which we might not normally take notice of, moments which we would normally pass by.
                                                                          
                                                                          'Reading Woman'
                                                                           Luke Braddock
                                                                           Pencil on Paper



I am currently working on the idea of taking these people from their everyday setting and creating a space around them, creating an imaginative world, a place where the observer may step into and relate, a place of tranquillity and paradise. I feel it is important to push the boundaries of my thinking, by experimenting with my initial ideas.

‘Marching to Mars’ was an idea, which was originally a drawing of four Salvation Army figures marching across Cemetery Road, Sheffield. My idea to place the figures in a mysterious, dreamlike space, was inspired by several factors: a BBC Documentary about space (which contained computer generated imagery of planets across our solar system); and a song called ‘Moving to Mars’, by Coldplay. These two factors then linked to the ideas around Philosophy. One of Greek philosopher Plato's most famous theories was that, “The objects we perceive are not the ultimate reality, but more like a shadow of reality”.  He believed that it was possible that everything we see and touch is just a creation of the mind, and that we may be in a dreamlike world. These interesting ideologies all sparked the creation of my idea ‘Marching to Mars’.



 I wanted to emphasise the idea of creating a place of escape, creating an image which would contain a narrative, and allow the audience to question the subject matter.

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